Technotainment hires media attorney Simone Solomon for music and legal leadership

Technotainment Streaming Media Inc. has named Simone Solomon executive director of music business affairs and legal counsel as it builds STRMIT.tv, its patent-pending decentralized streaming network. The hire gives the company an experienced dealmaker to shape rights, IP and partnerships ahead of first pilots expected by the end of 2026.

Why it matters: - Simone Solomon’s hire gives Technotainment legal leadership for the rights and deal structure behind its creator-owned platform. - The appointment comes as Technotainment advances STRMIT.tv, which the company says will power its content slate and first pilots. - The role centers on music business affairs, intellectual property and partnership protections, all critical to a streaming model built around creator ownership.

What happened: - Technotainment Streaming Media Inc. named Simone Solomon executive director of music business affairs and legal counsel. - The company announced the appointment on June 23, 2026, from Las Vegas. - Solomon will help architect the rights, intellectual property and deal framework for Technotainment’s platform. - The company linked the hire to its recent unveiling of STRMIT.tv, a patent-pending decentralized streaming network.

The details: - Solomon has spent two decades structuring content, rights and technology deals across music, film, television and digital media. - She served as interim general counsel and a senior business and legal affairs leader at TIDAL. - Solomon was corporate counsel for original content, music and entertainment at Audible. - She was executive director of music business affairs and legal counsel at The Walt Disney Company. - Her earlier work included business and legal affairs roles at ESPN and Comcast. - Technotainment said Solomon’s arrival strengthens the company’s ability to build the legal architecture needed for creator-owned operations. - The company is targeting first pilots at the end of 2026. - Solomon is a graduate of Temple University’s Beasley School of Law.

Between the lines: - Technotainment is signaling that its streaming strategy depends as much on deal structure and rights control as on technology. - Hiring a lawyer with experience at major media and audio platforms suggests the company wants institutional-grade legal oversight as it launches. - The emphasis on creator ownership points to a platform model that may require unusually careful rights management.

What’s next: - Technotainment plans to move toward first pilots by the end of 2026. - Solomon is expected to help set up the partnerships, protections and rights framework needed before launch. - STRMIT.tv will remain central to the company’s content rollout as development continues.

The bottom line: - Technotainment is adding senior legal firepower before launch, betting that strong rights architecture will be a competitive advantage for its creator-owned streaming network.